A robust intervention by Studio Bright delivers radical change, a significant civic contribution and a comfortable place to meet a robot.
The design team chose honest materials that provide visual and acoustic comfort, which also age well with the daily wear and tear of an engineering workshop.
Alliance Lane sits deep within the engineering precinct of Monash University’s sprawling Clayton campus, in Melbourne’s south east. Previously the domain of airconditioning units and piles of rusty steel pipes, it is now home to an ambitious robotics laboratory which stretches well beyond its walls to create a welcoming new environment for both humans and robots.
The new facility brings together robotics researchers from different engineering departments to encourage collaboration and occupies the ground floor of a rational 1960s institutional block, typical of Monash’s sturdy “vernacular” architecture. Although originally planned around a generous courtyard, years of accretion and makeshift modifications had resulted in blocked views, hidden offices and inactive frontages. Detailed site analysis and clear diagrams convinced an engaged client that drastic change was required and Studio Bright proceeded to remove unnecessary additions, re-establish courtyard views, introduce a crisp new facade and activate the laneway with projecting bays, sculptural concrete seating and generous planting.
The restrained material palette includes familiar materials such as galvanized steel, cork and perforated pegboard.
A delicate perimeter canopy expands the territory of the lab, defining external spaces for working and gathering while contributing shelter and activity to the public realm. The fine steelwork initially appears strikingly simple but up close demonstrates gritty technical skill; Studio Bright’s exhaustive pages of three-dimensional detail drawings are evidence that none of this happens by happy accident. The fluted canopy subtly references the pipes that were previously stacked along this facade as experiments in the weathering of steel. It stands on a series of slender steel legs, some cranked and flexed to give the impression of imminent movement, the only slight nod to a “robotic” aesthetic in the entire project.
A robotics laboratory is an unusual beast. It is an entirely new type of facility for the university and requires spaces for large-scale experiments, fabrication, public events and intense individual concentration – all populated by a deliberately diverse range of humans and robots. Studio Bright demonstrates a thoughtful understanding of how this place should operate, dividing the floorspace into a series of zoned activities. The prominent corner on Alliance Lane becomes the entry and major public interface, containing the kitchen, lounge and flexible spaces for meetings, events and experiments. This transitional zone welcomes business partners and the invited public without disrupting the entire facility. The entry bleeds into a dedicated experimentation zone centred around a dramatic double-height hall with appropriate scale and durability to contain any rogue droid. A sharp new facade and wall of glass transforms this former shed, allowing passers-by to enjoy the show and providing direct access from the revitalized courtyard for major events.
Workspaces make up the remainder of the open-plan facility, the zoning transitioning from “active” to “quiet” with distance from the laneway frontage. This is not a generic “multi-use” space so common in education settings – a determined design team have maintained a genuine workshop environment. It is a place where things are to be built, tested and pulled apart – the potential is palpable. An inevitably dated “high-tech” aesthetic is avoided and instead attention is focused on the timeless act of making and the drama of experimentation. The typical divide between cellular offices and open laboratory is disrupted, with neat pairs of glazed cubicles scattered throughout, dragging private spaces inboard where possible to save the facade for more visually interesting activity.
A consistent green furniture datum throughout establishes a calm background to the tsunami of technological debris involved in the research here. The restrained material palette reinforces the workshop atmosphere, with familiar materials such as galvanized steel, cork and perforated pegboard used for their intrinsic colour. Acoustic comfort is prioritized, essential for people who may have been reluctantly coaxed from more private domains. Walls are clad in absorptive wood-wool panels while shallow drums lined in cork hover overhead, collating and concealing the maze of overhead service infrastructure. All occupants have been considered. The grey rubber floor, for example, is both comfortable for standing humans and a practical terrain for wandering robots potentially confused by heavily figured or coloured surfaces.
Entrusted with an enviable program, Studio Bright has created a welcoming and practical workshop for human and robot collaboration, strategically harnessing the excitement of experimental activities to generate dramatic change at an urban scale.
Published online: 15 Jun 2022 Words: Michael Macleod Images: Rory Gardiner
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This renovation of a dark and stuffy home draws attention to bay views and strikes a balance between lightness and weight, restraint and whimsy.
The design team chose honest materials that provide visual and acoustic comfort, which also age well with the daily wear and tear of an engineering workshop.
The restrained material palette includes familiar materials such as galvanized steel, cork and perforated pegboard.
Studio Bright prioritized natural materials and tones, with the aim of providing a pleasant space to spend the day.
A consistent green furniture datum establishes a calm background to the tsunami of technological debris involved in the research here.
The fine steelwork initially appears strikingly simple but up close demonstrates gritty technical skill.
The fluted canopy subtly references the pipes that were previously stacked along the facade as experiments in the weathering of steel.
The canopy uses expressed and articulated joints, inspired by the robotics work happening within. Kinked columns appear as though they might walk off, following the robots down the lane.
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